It was a big deal, especially for lefties of a certain age.
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The book is uneven; the first part is badly written and developed; there is too much of the paltry patois of small-story sophistication and typewriter chatter. One finds a paucity of expression "her body trim and cool and confident"and the snappy conversation is at times oh so nugatory.
But each of these charges is controverted as one turns the pages, and it is a pleasure to watch the author write through and past what really is his "first novel" to find his own form and content. Toward the end Mr. Schulberg does say what he wants to say, the writing is good, the plot blooms, and the form is there.
Hollywood, that junction of theater and audience, is more honestly, amusingly, and instructively covered than in any other book I know. It is an integral part of the story and the natural habitat for Sammy. I do, however, protest against the niggardliness of the expression of sincerely felt emotions that recalls bright books now faded.
The careful indifference, the special argot of understatement and underplaying, the determined bathos of the characters before the probity of their feelings are exasperating. One remembers the flowing bowl of the twenties, both literary and economic, and ponders the reason why the novelists of that generation are still suffering from hangovers.
There have been novels about Hollywood and novels about heels. Sammy Glick is no minor-Pal-Joey kind of a heel, but a major get-to-the-top-no-matter-whom-you-slaughter-on-the-way sort of vermin…. Although author Schulberg merits praise for an impressive, well-constructed first novel that glitters with freshness, realistic lingo and keen observation of his specimens under the magnifying glass, he should be censured for his unnecessary overdoses of profanity and indecent language and for several instances of sensationalism.
At times his sammyglickia verges on embarrassing anti-Semitism. But he implies that all Hollywood is running, with his own Sammy running a little faster. Rumor now hath it that this book is being banned in certain places, that city fathers are objecting to its frankness, its reality.
Full well may they deplore its rudeness and shocking immorality, but they cannot disregard its factual evidence. Recently I met one of the brighter movie stars and I asked him what film people thought of the novel.
He whispered his reply: As a reflector of the prize-ring gentry, it is far more accurate than most modern writers have been in their numerous works on the subject.
However, in my opinion, the story, good though it is, unfairly presents the boxing writers from coast-to-coast as a group of unimaginative stooges waiting for news hand-outs and free drinks.
This is a criticism of the story not necessarily made in their defense. They are able to defend themselves. Schulberg to bring about reforms and possibly shatter what might seem to him romantic foibles. Budd Schulberg has already had uncommon success with his first two novels, and "The Disenchanted," his third, is not going to lose him any readers.
That"and it is a reasonable one, for depending on the answer is, to a large extent, the manner in which he will react to the book. To say more than this would be entirely unfair to the memory of Fitzgerald. But the fact in itself is enough to give the story a poignance beyond that supplied by the inherent qualities of the writing….
The book … has a strangely disjointed effect upon one. You believe on one level and disbelieve on another.What Makes Sammy Run, The Moral Compass, and My Life What Makes Sammy Run?
by Budd Schulberg is a brilliant book that shows the savagery, the insensitiveness, and cruelty caused by the drive for money, which characterized the general.
With What Makes Sammy Run?, Schulberg faced a certain level of ill-will in Hollywood for the rest of his career. His next novel, ’s The Disenchanted, was a bestseller that was adapted as a Broadway play starring Jason Robards, who won a Tony for the role. Budd Schulberg Essay Examples. 7 total results.
A Review of Schulberg's Book "What Makes Sammy Run" words. An Analysis of Savagery in What Makes Sammy Run by Budd Schulberg. 2, words. 5 pages. A Literary Analysis of What Makes Sammy Run by Budd Schulberg. 2, words. 5 pages.
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What Makes Sammy Run? [Budd Schulberg] on rutadeltambor.com *FREE* shipping on qualifying offers. The classic book that shaped two generations’ view of the movie business and introduced the is the archetypal Hollywood player Sammy Glick. He’s got a machete mouth and a genius for double-cross.
As Budd Shulberg—author of the screenplay On the Waterfront—follows Sammy’s relentless upward /5(88). Mar 26, · Writer Budd Schulberg isn't around to see it, but Wednesday, on his th birthday, he landed a new Hollywood deal.
Schulberg, who died at 95 in , was the son of a Hollywood film producer who first made his mark with the bestselling, iconic Hollywood novel "What Makes Sammy Run?" and went on to. Literature of success/ English Prof.
Allen April 13, What Makes Sammy Run, The Moral Compass, and My Life What Makes Sammy Run? by Budd Schulberg is a brilliant book that shows the savagery, the insensitiveness, and.